Nicky Bird

Projects

Archaeology for the Ordinary

Archaeology of the Ordinary (2011)

This commission from the Peter Potter Gallery is part of it’s Lost Landscapes programme. The resulting project takes up the theme of farmers, their family history, and the role played by migrant workers in East Lothian.

The inspiration comes from the work of Archaeologists David Connolly and Maggie Struckmeier. They discovered hand written messages of Irish people from the early 1950s on East Lothian cottage walls. What does this is a fleeting glimpse of the past mean today? As the derelict cottages undergo major refurbishment, how can artists, archaeologists and local people come together to to investigate the importance of Archaeology of the Ordinary?

Archaeology of the Ordinary: The Site, Papple Cottages, East Lothian, 2011

Archaeology of the Ordinary: No 7 Papple Cottage, 2011

Archaeology of the Ordinary: A wooden partition moves across two sites, 2011

Archaeology of the Ordinary: A wooden partition, No 7 Papple Cottage / Peter Potter Gallery, 2011

Archaeology of the Ordinary: 'John Doonan, Tallachan Bevan, Michael Maughan the three best bloody men in MacArthur’s firm. Anthony Maughan, the best turnip howar in Boyne or in Scotland'

Archaeology of the Ordinary: No 7 Papple Cottage, 'John Goonan and P Needham, Two Good Bed Mates,'2011

Archaeology of the Ordinary: No 5 Papple Cottage / Peter Potter Gallery, 2011

Archaeology of the Ordinary: War Horse Tobacco Bar label, No 5 Papple Cottage / Peter Potter Gallery, 2011

Archaeology of the Ordinary: Spail (Potato) basket, No 5 Papple Cottage / Peter Potter Gallery, 2011

Archaeology of the Ordinary: No 8 Papple Cottage, 'We left Papple Farm, Thursday 30th September 1954, K Boyle.' Two photographs of Irish Couples, 2011


Coming soon: an epublication about the project – interviews & interpretation

epublication coming soon

Photographs of Irish couples are from the Gordon Collection, Courtesy of East Lothian Council Archives & Records Management Service